Reina Sofia Museum

On 6 June, the Reina Sofía gradually started reopening its rooms to the public. You can now visit their Collection 1, which includes the space devoted to Guernica and the gallery’s most important rooms, Collection 2, the Sabatini Garden, the outdoor cafés in the Nouvel building and their temporary exhibitions (including Petrit Halilaj in the Crystal Palace in El Retiro Park).

Opening hours remain the same as before, including times with free entry.

Visitors enter and exit the building at different points and there is limited capacity in each room.

If you can't currently visit the museum in person, you can explore their website, their multimedia section which is packed with videos and audios about the museum’s collection, their microsites like Repensar Guernica and their RRS Museo Reina Sofía Radio.

Located on the Art Walk, the Reina Sofía houses paintings by Salvador Dalí, Joan Miró and Juan Gris as well as one of Spain’s most famous artworks, Picasso’s Guernica.

Opened in 1990, this is Madrid’s Spanish contemporary art museum par excellence. Its collection, which comprises over 22,400 works, spans much of the 20^th century and is divided into three sections titled The Irruption of the 20^th Century. Utopia and Conflict (1900-1945), Is the War Over? Art in a Divided World (1945-1968), and From Revolt to Postmodernity (1962-1982). In Room 206 you’ll find one of the museum’s highlights: Picasso’s masterpiece Guernica. Showcased by the Spanish Republican Government at the International Exposition of 1937 in Paris, the mural depicts the bombing of the old Basque city of Gernika in April 1937 and has become a lasting image of the horror of war.

The Irruption of the 20th Century. Utopia and Conflict (1900-1945)

The crossroads between the 19^th and 20^th centuries, between modernity and tradition, are represented perfectly by the works of Hermenegildo Anglada Camarasa, José Gutiérrez Solana and Medardo Rosso. The museum's permanent collection also includes pieces by Julio González, Pablo Gargallo and Juan Gris, artists that favoured the European avant-garde movements alongside Georges Braque, Fernand Léger, Sonia Delaunay and Francis Picabia, also part of the museum's collection.

Is the War Over? Art in a Divided World (1945-1968)

World War II put an end to the first avant-gardes of the artistic scene, as the second section of the museum explains. Creators shifted towards discourses that were more cryptic and existential. This context gave way to groups like El paso or Equipo 57, which disseminated Informalist language in Spain. Some of the artists who appeared during those times achieved great international acclaim, such as Antoni Tàpies, Jorge Oteiza and Esteban Vicente. This period can be better understood in the context of the European panorama, which is why the museum also displays works by such artists as Francis Bacon, Jean Dubuffet, Lucio Fontana, Henry Moore and Yves Klein. This part of the collection displays examples of Lettrism and Brazilian Concretism.

From Revolt to Postmodernity (1962-1982)

Since the 1970s, contemporary art has taken many different directions. Topics, forms and resources of today question the very nature of art. Critics, artists and spectators ask themselves ‘What is art?’, as they contemplate many of the pieces on show at the museum. The third part of the museum's permanent collection reflects upon issues such as gender, underground culture, mass culture or globalisation. The Zaj group, Hélio Oiticica, Luis Gordillo, Sol LeWitt, Dan Flavin, Gerhard Richter, Pistoletto and Marcel Broodthaers are some of the representative authors the visitor will encounter in this final section of their tour around the museum.

Telefónica Collection: Cubism and Experiences of Modernity

As of November 2018, the cubist collection owned by Fundación Telefónica will be on display at the Reina Sofia Museum. This exhibition examines the central years of cubism and subsequent decades.

Close to 70 works created between 1912 and 1933 by artists of the calibre of Juan Gris, Maria Blanchard, Louis Marcoussis, André Lhote, Gleizes, Metzinger, Barradas, Manuel Ángeles Ortiz, Vicente Huidobro or Torres-García, among others, offer a new interpretation of this artistic movement, highlighting its complexity.

The Building

The Reina Sofia Museum is housed in a neoclassical building located in Atocha, which was formerly a hospital  facility (Hospital San Carlos) from the 16th century onwards, when Philip II decided to centralise the various hospitals scattered about the Court. In the 18th century, Charles III extended the building, working with the architects José de Hermosilla and, above all, Francisco Sabatini.

The building underwent various modifications and additions until, in 1965, the hospital was closed. After being declared a Historic-Artistic Monument in 1977, restoration work began in 1980. In 1986, the Reina Sofia Art Centre opened, using the 1st and 2nd floors to house temporary exhibitions. The most recent modifications were carried out at the end of 1988, including the creation of the three glass and steel elevator shafts designed by British architect Ian Ritchie.

The Permanent Collection was inaugurated on 10 September 1992 and it officially became a museum.

The museum was extended between 2001 and 2005 by architect Jean Nouvel to create a larger exhibition space, also adding a library and an auditorium.

The museum has two other sites in Madrid, the Velázquez Palace and the Crystal Palace, both in Retiro Park, which house temporary exhibitions and art installations created for these spaces.